Da Vinci design jewel still key for Tuscan silk weavers
Tucked away in the San Frediano neighbourhood in Florence, L'Antico Setificio Fiorentino was founded in 1786 and is one of the oldest silk workshops in Europe
Tucked away in the historic San Frediano neighbourhood in Florence, L’Antico Setificio Fiorentino was founded in 1786 and is one of the oldest silk workshops in Europe.
Its looms date back to the 17th, 18th and 19th centuries, but the jewel at its heart is a machine to unwind the reels of threads, designed by Renaissance genius Da Vinci, who died in 1519.
Golden chenille, damask and taffeta are among the fabrics made here and sold for up to 1,500 euros ($1,700) per metre
The polymath’s device is used to prepare the threads before they are placed on the loom, following a technique that has been closely guarded down the centuries.
The workshop, which since 2010 has belonged to the family of Italian fashion designer Stefano Ricci, manufactures fabrics, lace and ribbons in styles and colours favoured by the historic House of Medici, an Italian banking family and political dynasty.
Since 2010, the workshop has belonged to the family of Italian fashion designer Stefano Ricci
- Mustard yellow, petrol blue -
The workshop manufactures fabrics, lace and ribbons in styles and colours favoured by the historic House of Medici
Pope Francis and opera singers Maria Callas and Andrea Bocelli have also worn garments created on its aged looms.
“It’s a museum that is also a factory,” said Briza Datti, interior designer and head of the commercial sector.
The hand looms move to the weaver’s rhythm and bear “the imprint of the family to which they belonged in the past,” she says.
No fewer than eight hours of work are needed to produce two metres of fabric
The 15 or so artisans that spend their days teasing threads say it is a privilege to produce precious fabrics in silk, linen and cotton once used by kings and emperors.
“I’m lucky to work here, surrounded by centuries-old looms, but it doesn’t feel like a museum, just a special environment,” says Simona Polimeni, who trained at the school of weaving and restoration in the Tuscan capital.
“Each fabric must be woven by the same person. The rhythm must always be the same, or you risk imperfections,” the 26-year old says, as she crosses the warp and weft threads in an echo of age-old gestures.
No fewer than eight hours of work are needed to produce two metres of this fabric, worthy of the court of 15th century Italian statesman Lorenzo the Magnificent himself.
Fabrics produced in the workshop can be found from Italy's palaces and the famous Uffizi Galleries in Florence, to the royal residence in Denmark and the Kremlin in Russia
The Brazilian, who came to Italy 30 years ago to work in the world-renowned textile industry in Tuscany, said she is proud to have such “a very creative job, in such an area of excellence”.
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